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Edmunds Bunkse - - Ethics, Place and Environment 4 3: While Latvian landscape aesthetics and ethics are based on the profound transformation of nature-landscape attitudes that occurred in Europe during the second half of the 18th century, when ideas of the beautiful, sublime, and the picturesque were debated, the existence of sublime characteristics within the borders of Latvia has not been recognized.
In part the attitude derives from Part of it is due to historic contrasts of sublime wonders in foreign lands with the simple rural beauties and virtues of Latvia. But it is also bound up with the complex history of Latvians as an underclass during colonial rule that began during the 13th century and did not truly end until As during the 19th century, Latvians began to develop their own national traditions; they used a voluminous collection of rural folk songs on which to build subtle literary and other artistic interpretations of what is moral and beautiful in rural life, work, and landscapes.
A particularly important motif in Latvian writing is earth.
For instance, we currently offer papers on Greek and Roman, and early modern philosophy, as well as political philosophy and aesthetics. You don’t need to have studied philosophy previously, but we do recommend you do some preliminary reading (see the Faculty website for suggestions). Hence, there are two different conceptions of art in aesthetics: art as knowledge or art as action, but aesthetics is neither epistemology nor ethics. Aestheticians compare historical developments with theoretical approaches to the arts of many periods. They study the varieties of art in relation to their physical, social, and culture environments. The philosophy of aesthetics is primarily concerned with definitions and strategies for evaluating beauty as presented in the arts. Since the goal of aesthetics is in placing or finding a subjective value of beauty, philosophers from early times have proposed a variety of systems and beliefs as a basis for aesthetics.
The ethics of work, social responsibility, and care for living things are a powerful theme. If the sublime is mentioned, it is brought into the compass of the rural and the tame. Sublime elements of nature occur as metaphors for human actions.
Thoroughly imbued with the above traditions, the author, at first unselfconsciously, discovered sublime aspects in Latvian landscapes and nature during the course of the past 11 years.
It is his belief that as Latvians distance themselves from past colonial rule, they will begin to see their land in a less narrow fashion and recognize its sublime characteristics.Aesthetics and Ethics Essays at the Intersection. Get access. Cambridge Studies in Philosophy and the Arts; Export citation Recommend to librarian This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship.
Aesthetics and ethics: essays at the intersection. [Jerrold Levinson;] -- This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship.
Introduction: aesthetics and ethics Jerrold Levinson-- 2. Three versions of objectivity: moral, aesthetic, and scientific Richard W. Miller-- 3.
Aesthetic value, moral value, and the ambitions of naturalism Peter Railton-- 4. About consistency in one's personal aesthetics Ted Cohen-- 5.
Art, narrative, and moral understanding Noel Carroll-- 6. Aesthetics arts cambridge essay ethics in intersection philosophy study: Best website for essay writing.
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Cambridge Studies in Philosophy and the Arts: Aesthetics and Ethics: Essays at the Intersection by Jerrold Levinson, , available at Book Depository with free delivery worldwide. Philosophy Faculty Reading List and Course Outline PART II PAPER AESTHETICS COURSE OUTLINE Aesthetics can be seen as comprising two, overlapping, areas of enquiry: philosophical questions about beauty and aesthetic notions more broadly, on the one hand, and on the other, philosophical questions concerning art.